The L-Phase Equalizer features 20 color-coded bands, five filter types, and automatically picks the most common filter or EQ curve based on the frequency where the band is created.
The L-Phase Multiband features 6 color-coded bands, external sidechain support with audition, Auto Release to minimize pumping, and intelligently sets the attack time based on where the band is created.
Ricochet is a sophisticated, yet easy-to-use multi-tap delay, with the signature Audio Damage sound. Featuring a 16-step grid for programming tap time, Ricochet is right at home in modern electronic music production, designed specifically for that context, and is much quicker to program than the run-of-the-mill multi-tap.
The latest update, ooh-so-handy limiter / loudness maximizer plugin: Kratos 2 Maximizer, featuring the new Adaptive Mode for Attack and Release parameters, dithering section, up to 4x oversampling, Latency Compensation toggle, and completely redesigned graphics. In addition, the new Kratos 2 Maximizer is now extend their reach to accommodate Reason as well as the Avid Pro Tools users with the support for Rack Extension and AAX plug-ins.
Blue Cat’s PatchWork is a universal plug-ins patchbay that can host up to 64 VST plug-ins into any Digital Audio Workstation (DAW) in one instance. It is possible to chain effects in series or create up to 8 parallel chains that can be activated independently. This lets you create your favorite effects or instruments configurations within the plug-in, without the need for multiple busses. These configurations can be saved as presets and recalled instantly, or shared with multiple DAWs, using any plug-in format (full list below). Despite the name, you can forget about wires or cables: configuring plug-ins routing is as simple as adding or removing a row or a column in the rack’s matrix.
The “NICE EQ” brings one of the most sought after hardware eq’s directly to your DAW with amazing accuracy. You are actually working with two unique hardware eq plug-ins, with Solid State and Vacuum Tube versions. Not only is an ultra-realistic analog frequency attribute being performed, but also advanced harmonic content. NICE EQ is based upon a new sound engine called Acqua, developed by Acustica Audio, creators of the “Powered by Nebula Core II Technology” engine, an advanced form of audio generation called V.V.K.T., or Vectorial Volterra Kernels Technology. This allows the Plug-In to reproduce exacting details of analog sound, not just changes in frequency but also harmonic content in the form of live, streaming data.
LevelView is a highly innovative real time loudness meter. Its ‘Rainbow meter’, based upon the ‘Bendy Meter’ concept of BBC Research, gives the user continuous insight in recent loudness levels of the program material. The arces of the rainbow all have different integration times: the outer ring shows loudness of the last 3s, every step inward triples the time span. This technique has proven to offer a very convenient monitor view during a mix process.
LimitX – unique limiting with NLSRT™, intelligently prevents “overs” while preserving your sound! Snap! – utilizing NLSRT™ to restore dynamics to your tracks, or to samples. Put back the attack! BoostX – uses NLSRT™ for a non-linear fader that brings up the soft sounds more than the loud. Really!
Frosting is a simple but powerful audio-freezer effect for your DAW. It can be used for all sorts of interesting audio manipulations: rhythmically gate a sound, create glitchy, stutter or beat-repeater effects, turn anything into a pulsating drone or just use it as a minimalistic looper
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