Get high-end studio console sound in the comfort of your own virtual effects rack. A cohesive toolset for shaping and ‘exciting’ your sound.
reMIDI (pronounced ‘remedy’) is not another music theory MIDI effect plugin. It’s the very first MIDI sampler. It literally cuts to the core of the problem of finding inspired musical materials by providing harmonies and melodies that are proven to work – enabling you to sample the royalty-free compositions of past greats (Bach, Chopin, Gershwin, etc). More in the mood for modern? No problem – You can use reMIDI to get the most out of your purchased royalty-free MIDI loops. If you can sample audio to help kickstart productions, why not sample midi? You can isolate melodies more easily than audio recordings and you can even extract all the chords used! Best of all – you get to choose the instruments. reMIDI comes with over 1700 royalty-free midi files in the factory library to sample from. But you’re never limited – you can even expand the library by sampling from magesy download your own midi! Connect reMIDI to your favourite virtual instruments and hit the keys/pads on your midi controller to effortlessly find the building blocks for your next track. You can edit midi notes exactly how you want by dragging out any slice that reMIDI serves up. Make each loop your own. You can even use it to help create a top-selling loop/chord pack.
StandardCLIP is a new advanced clipping-plugin. You can use StandardCLIP as a dynamic tool to increase the volume or as an effect to add odd harmonics to your signal. StandardCLIP offers high quality oversampling up to the factor 256 and a large variety of options. StandardCLIP was designed to handle the clipping process as flexible as possible. You can adjust the way the clipping is done easily, like a hard-limiting brick wall or smooth soft-saturated. StandardCLIP also offers input and output RMS-meters and a waveform display for the perfect control of the output volume. The filter which is used for up and down-sampling is very important for a good result. You can choose between linear-phase and minimum-phase mode. Also you are able to change the filter quality and cut-off frequency of the oversampling process
1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there. Based on an 1989 Digital Reverb unit, the 1989Verb not only features the characteristics of the original unit but it also features a HiPass and LoPass to enhance the experience. A simple interface allows you to dial tones quickly. You can choose the patch from magesy download the dropdown menu or just simply keep clicking the arrows until you reach that golden tone. Whether your Drums need more weight, synths need more air & excitement, vocals need that warm space to dwell in; 1989Verb is a perfect pair for any retro fan! Works well with modern production as well. Yesterday’s sound, today’s workflow: 1989Verb is an homage to Late 80’s Reverb tones. Warm plates, bright, dark, long, short, fast gates, slow gates, Reverse reverbs, regens, tap delays, flangers, blooms, stereo wideners, you name it, it’s there.
TDR SlickEQ M (Mastering Edition) extends SlickEQ’s proven concept into a fully-fledged stereophonic equalizer. Specifically developed for the audio mastering engineer, no compromises have been made to deliver an exceptional musical flexibility and audio fidelity. Behind an intuitive user interface hides as staggering array of possibilities: A set of musical high-pass and low-pass filters including a low frequency “monoization” section offer detailed control over the signal bandwidth. Six powerful parametric filter bands give precise access over tone, timbre and the stereo image, and a sophisticated meta-filter offers direct and intuitive access to the brightness, hardness or equal loudness curve of an audio signal.
TDR Limiter 6 GE is a modern dynamics compression and limiting toolkit featuring six specialized modules that can be arranged in variable order. Together, they cover a remarkable range of applications from magesy download delicate loudness control, to brutal “brick-walling” and creative mix bus crunching.
NOVA GE is a parallel dynamic equalizer. Appearing in the familiar layout of a parametric equalizer, the plugin also includes a full featured dynamics section enabling NOVA to cover an impressively wide range of applications. Be it a master lacking density, the drum bus asking for more crispiness, or a sibilance problem in your perfect take: NOVA has an elegant answer. A user friendly WYSIWYG drag and drop display paired with a classic “knob” interface gives quick and smooth access to the various parameters driving NOVA’s powerful signal processing. Elaborate equal loudness functions help finding the optimal setting without getting distracted by loudness differences. An extensive set of “Smart Actions” automatically generate sensible starting points according to the input; and further allow matching the spectra and dynamics matching of two different songs, approximating a pink noise distribution, or automatically finding and taming excessive resonances in recordings. NOVA GE includes a total of six dynamic EQ bands, each featuring high grade filters and independent dynamics processors being able to operate in linked, split, or various other configurations.
TDR VOS SlickEQ – Gentleman’s Edition takes SlickEQ‘s concept to new heights and adds an exotic “Tilt”-filter flanked by flexible low-pass and high-pass filters. Five distinct EQ models provide a rich set of predefined EQ curves and behaviours for the three main semi parametric filter bands. SlickEQ GE offers a switchable EQ non-linearity and seven different output stages. These options offer subtle and interesting textures, from magesy download the typical “mojo” often associated with high quality analogue audio gear, up to more obvious saturation.
DeEdger introduces a new way of reducing the hardness of audio signals without negatively altering the original signal qualities. The plugin operates in a threshold free manner, thus can comfortably handle any input signal level, type, and dynamic range. Where other plugins might under or over process, DeEdger only applies processing if any hardness is detected. Once detected, the hardness will be smoothed with remarkable elegance. After its initial setup, DeEdger can be left in a “set and forget” configuration without further attention. Intricate time and frequency dependent mechanisms allow DeEdger to provide a very transparent process throughout. The initial concept, developed by a professional mastering engineer, focused on the demands of modern audio mastering and has also turned out to be equally useful for mixing.
TDR Kotelnikov is a wideband dynamics processor combining high fidelity dynamic range control with deep musical flexibility. As a descendant of the venerable TDR Feedback Compressor product family, Kotelnikov has directly inherited several unique features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms. With a sonic signature best described as “stealthy”, Kotelnikov has the ability to manipulate the dynamic range by dramatic amounts, while carefully preserving the original tone, timbre and punch of a musical signal. As such, it is perfectly suited to stereo bus compression as well as other critical applications.
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