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  • Spectral Shapers v1.52 VST WiN
    September 24th, 2015
    Categories: SoundHack, VST, WiNDOWS, x64, x86

    SoundHack Spectral Shapers VST RTAS v1.29

    Spectral Shapers v1.52 VST WiN

    P2P | Sept 23 2015 | x64: 23,99 MB | x86: 23,26 MB

    SoundHack is a program that has been used in sound design for music and film for the last 12 years. It is a collection of spectral filters which emphasize the creative manipulation of sound. SoundHack has been used on many films – from magesy download “The Matrix” to “The City of Lost Children” – and by many recording artists – from magesy download Nine Inch Nails to Ry Cooder to J Lesser.



    Viewed 18620 By Music Producers.

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    • Filter Bank PRO v3.0 VST x86 WiN-HY2ROG3N
      September 23rd, 2015
      Categories: VST, WiNDOWS, x86

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      Filter Bank PRO v3.0 VST x86 WiN

      HY2ROG3N | 22.09.2015 | 2.38 MB

      There are many filter plugins on the market today but the Filter Bank Pro is different! It contains two modules allowing endless sound sculpting. The first module seen on the left of the plugin is the heart of the Filter Bank Pro and contains five individual filters. Each of these filters features a Gain control for cutting or boosting, a frequency control for selecting which frequency to filter (1-12,000hZ!), and finally a Q control which narrows or widens the frequency bands being filtered. Over on the right of the plugin you have the more traditional filter module containing five filter types including Low Pass, High Pass, Band Pass, Notch, and Peaking. There are also large and inviting Cutoff and Resonance controls (with sync capable LFO) and the awesome Analogue! knob which adds warmth. The Filter bank Pro also has Input and Output level controls which come in very handy when creating some extreme filtered sounds.



      Viewed 9384 By Music Producers.


      • Mastering Limiter VST x86 WiN-HY2ROG3N
        September 22nd, 2015

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        Mastering Limiter VST x86 WiN

        HY2ROG3N | 22.09.2015 | 1.44 MB

        The Mastering Limiter is a high end audio processing advanced peak limiter designed to maximize both the level of the digital signal and the resolution of your final rendered file. The Mastering Limiter’s lookahead peak limiter algorithm provides the mixing and mastering engineer with the capability to increase resolution and production master levels with precise control. Specifically designed for mastering, digital editing, multimedia, and any application that requires limiting of the digital signal with highest quality; the Mastering Limiter is perfect addition to your mixing and mastering tool set. In order to ensure the maximum possible resolution of a processed signal, it is very highly recommended that the Mastering Limiter be used last in the processing chain.



        Viewed 11936 By Music Producers.


        • Dreamscape Reverb and Space Generator VST x86 WiN
          September 19th, 2015

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          Dreamscape Reverb & Space Generator VST x86 WiN

          P2P | 18.09.2015 | 2.82 MB

          Dreamscape is a musical reverb based on an original concept that excels in analogue warmth at extremely low CPU usage. With its huge array of sonic possibilities, an intuitive and attractive user interface, and highly optimized CPU usage, Dreamscape represents the next generation in Minimal System reverb technology. Dreamscape is a true stereo reverb with possibilities far beyond the conventional. Simply browse the factory presets for a comprehensive showcase of what it can do. Unlike conventional algorithmic reverbs, Dreamscape does not need separate plate, hall, and room algorithms. Instead it features a comprehensive yet intuitive parameter set that allows you to easily recreate any given reverb characteristic, leaving you free to create lush smooth vocal reverbs, convincing room simulations, almost infinite reverb tails, synth pad and delay effects, and everything inbetween. You will find that its separate reverb and filter/modulation options make it an excellent choice for recreating expensive hardware-style reverbs, while its extensive tweakability renders it equally suited for more experimental reverb and filter effects.



          Viewed 13700 By Music Producers.


          • MAGMA v1.6.6 VST RTAS AAX x86 x64 WiN-HY2ROG3N
            September 14th, 2015
            Categories: AAX, Nomad Factory, RTAS, VST, x64, x86

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            MAGMA v1.6.6 VST RTAS AAX WiN

            HY2ROG3N | 14.09.2015 | 276 MB

            MEET THE NEW FACE OF AUDIO EFFECTS PROCESSING!

            Magma comes with 65 Effects. Featuring 1-rack-unit interfaces that can be loaded and rearranged using up to four racks, Magma also comes with a flexible routing matrix enabling serial, parallel or combined routings. Effects categories include Dynamics, Equalizers, Pre-Amps, Distortions, Reverbs, Delays, Modulation, Sequencers, Filters, Special FX, and Guitar FX. Magma’s Virtual Studio Rack (VSR) technology enables users to stack dozens of interchangeable effects in a seemingly infinite number of combinations, all in one easy-to-use plug-in. Magma makes it easy to mix and match effects, create and recall unique chains, and process audio in unique ways. Using Magma is like having a Virtual Studio Rack with a large number of effects at your disposal.



            Viewed 10536 By Music Producers.

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            • Overtone AF2-10M Stereo Graphical EQ V2.4.3 x86 x64 WiN
              September 8th, 2015
              Categories: VST, WiNDOWS, x64, x86

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              AF2-10M v2.4.3 VST x86 x64 WiN

              P2P | 08-09-2015 | 500 KB

              A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the ‘digital’ sound of some equalizers. Conventional solutions to this problem can be both CPU intensive and add extra latency or other artefacts. The AF2-10 uses innovative filter algorithms to accurately model the natural response of analogue designs, even at close to the limit imposed by the sample rate, without requiring CPU intensive or latency inducing techniques. Up to ten bands are provided covering a comprehensive range of filter types across the full 20Hz to 20kHz audio range together with a sample synchronous realtime FFT display featuring optional pre / post process monitoring and selectable slope compensation.



              Viewed 8217 By Music Producers.


              • AmpliTube CS v3.15c VST x86 x64 WiN
                September 4th, 2015

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                AmpliTube CS v3.15c VST x86 x64 WiN

                P2P | 04.09-2015 | 309.12 MB

                Imagine this… you turn on your computer before breakfast and buy a Fender Twin for $20 and the Seymour Duncan Shape Shifter pedal for $10. Immediately it’s in your signal chain. You record the “missing riff” and email it to the producer. Bam! Just like that you’ve added to your high-end gear collection, only spent “couch money” on it, and made a royalty — all while still in your pajamas. Wake up… you’re not dreaming. The AmpliTube Custom Shop allows you to do just that – build your virtual gear collection one piece at a time, as you need it. It’s a revolutionary concept for software that was inspired in part by Johnny Cash’s hit “One Piece at a Time,” and the real world of gear shopping. Now, it’s available to you,.



                Viewed 16390 By Music Producers.

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                • Amplifikation One 1.2.6 VST x86 x64 WiN-CHAOS
                  August 30th, 2015
                  Categories: VST, WiNDOWS, x64, x86

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                  Amplifikation One VST 1.2.6 VST WiN

                  CHAOS | August 29 2015 | 26.6 MB

                  This “guitar amp on your PC” captures the dynamics and characteristics of hardware distortion modules, head amplifiers, and cabinets, captured by various types of microphones in multiple configurations. Kuassa Amplifikation One is not emulated or modeled after a specific amplifier, we try to capture the best aspect of schematic designs, tubes, electronics and computer programming to achieve the supreme tone for your guitar through your personal computer while maintaining the user interface as easy as possible. Users are able to control every aspects of the software just like real guitar amplifiers including (but not limited to) gain structure, tone, mic position, and distance.
                  Stop messing around with your gears, get productive!



                  Viewed 10092 By Music Producers.

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