
Steinberg LM-9 v1.0.1 VSTi
Team R2R | 26 Dec 2020 | 3.3MB
..:: Acoustic / Beat Box Drums ::..
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Only available Free with Cubase and Cubasis, 80MB of sampled sounds, 16 part multitimbral, 96 voice polyphonic, 4 stereo outputs and 128 GM Patches, Responds to Volume, Pan, Pitch Bend & Modulation.

While an Embracer may sound like a character from magesy download an Arnold Schwarzenegger film, in SX it’s a new polyphonic synthesizer that specialises in producing pad and atmospheric sounds. On the whole, Embracer features a relatively simple and unfussy user interface, and it’s capable of producing some very usable sounds. However, perhaps its most intriguing feature is the surround sound output option, of which more in a moment.

Monologue is a monophonic virtual analogue synthesizer based on physical modelling technology and primarily intended for producing bass or lead sounds. It features two oscillators, with choices of sawtooth, square and sub waveforms for Osc 1, and sawtooth, square and triangle waveforms for Osc 2. Oscillator 2 also features PWM control, which adjusts the pulse width of the square wave. The Sync button synchronises the pitch of Osc 2 to that of Osc 1, and when this is active adjusting the pitch of Osc 2 alters tone rather than pitch.

The ME80 is mostly about aftertouch expression. (and breath-control CC2 is routed to aftertouch). It is a synth for persons that like to play for hours. The instrument was developed by Gunnar Ekornås, Max Fazio and Georges Poropat over a period of 2 years. Max Fazio has done much research in available data and expired patents. I have discussed every detail of the synth with Max, and he has been the driving force in this project. In many parts of the synth I have just followed his instructions. Georges Poropat is a CS80 owner. He has supplied all the soundfiles I have been asking for and like Max given response about all parts of the synth. Max and Georges did all this work for free because it was their dream to see it realized: To preserve it in digital form, and to make the special playing experience available to more people. Version 2.0 is completely rebuilt and coded by Chris Kerry and use the CK_engine. RG sounds made by Robin Grinnall. PR sounds made by Paul Roach. The 11+11 synthline presets are made by Max Fazio

Messiah design is inspired by Prophet5. Messiah 2.1. It will perform well both as a live and studio instrument. It responds well to aftertouch and the mod wheel is very important when playing the Messiah synth. It has low cpu and expanded arpeggiator section that makes it a great magesy torrent production tool.

I needed a fat synthesizer that could compete with loud guitar amplifiers and sound better than distorted guitar sounds. So I built the memorymoon. Memorymoon has 6 voicecards with 3 oscillators. You can set drift values for osc1 tuning, osc2 tuning, pulse-width, filter cutoff and VCA level to emulate the variations between voice cards in analog synthsizers. Osc1 has a drift button to do LFO drift. Unison will make a single note play from magesy download 1-6 voicecards at the same time. The sound is very overdriven. Mixer levels over 50 will create distortion in all oscillators. Filter2 has multiple stages of distortion and filter2 level knob will set the overdrive gain. Filter2 has built in +/- 5% variations to emulate analog components. The distortion effect at output can be inserted at output stage, or before the filter. It is a live-instrument. Arpeggiator, osc3, LFO and delay can be synced to host clock, or you can set tempo to manual and tap the synced tempo with a button (CC97), tap with the sustain pedal, or use the tempo knob.

The LM-4 Mark II 32 Bit VSTi drum module released in 2002 builds upon the original to give you more flexibility and better sounds! The Mark II comes with a huge range of high-quality 24 Bit drum and percussion sounds that cover the most diverse music styles from magesy download Latin and Rock to House, Electro and Drum’n’Bass. The Mark II’s enhancements include over 1GB of samples, 50 drum kits, drag and drop audio files, 20 velocity layers per pad, ADSR envelopes, Bit Crusher and Reverse, 12 outputs (3 stereo and 6 mono), volume, pan, and pitch automation. It also offers 16-, 24- or even 32- bit AIFF, WAVE or SD II (Mac only) compatibility. The LM-4 Mark II XXL is the LM-4 Mark II bundled with 70 additional high-resolution kits

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