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  • Blue Tubes Equalizers Pack v5.13 macOS-DDP
    June 5th, 2020
    Categories: AU, macOS, Nomad Factory, RTAS, VST, x64, x86

    Blue Tubes Equalizers Pack v5.13 macOS-DDP

    Blue Tubes Equalizers Pack v5.13 MAC

    DDP | 05 June 2020 | 26.6 MB

    AU, VST, RTAS, 6/18 Plug-Ins, 32+64 Bit

    Vintage Style Equalizers

    Designed by musicians for musicians, the Blue Equalizers Pack is a collection of 6 plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic equalizer analog hardware. The sound quality of Blue Equalizers pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.



    Viewed 24664 By Music Producers.


    • Spinn v1.0.0 WiN MAC-R2R
      May 21st, 2020
      Categories: AAX, AU, macOS, VST, VST3, WiNDOWS, x64

      Spinn v1.0.0 WiN MAC-R2R

      Spinn v1.0.0 WiN MAC

      Team R2R | 21 May 2020 | WiN: 14.8 MB | OSX: 36.4 MB

      PLATFORM: WiN64: VST/VST3/AAX | MAC: AU/VST/VST3/AAX

      Multi-band Modulation

      Spinn is a four-band rotating modulation effect. It has similarities to, but doesn’t aim to replicate, a Leslie speaker (call it a spin-off if you like). Four rotors (one per frequency band) with individual speed controls, acceleration and deceleration times, adjustable size and modulation. Each band also has a velocity control, which will adjust the speed according to the band’s input level. Spinn also features custom amp modeling (clean or hot) and room simulation.



      Viewed 11465 By Music Producers.


      • Complete v10 v10.07.2019 WiN OSX-iND
        July 10th, 2019

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        Complete v10 10.07.2019 WiN MAC

        iND | 10 July 2019 | WiN: 4.46 GB | OSX: 4.47 GB

        (AU, AAX*, VST3, VST, VSTi, STANDALONE, 32Bit, 64Bit)

        In celebration of Wvs’ 25th anniversary, we are pleased to announce a new version of Wvs plugins, Wvs V10. Update to V10 to future-proof your sessions, ensure continued compatibility, enjoy plugin updates and full technical support, and get new plugins added to premium bundles.



        Viewed 46837 By Music Producers.


        • Sausage Fattener v1.1.5 AU VST 32Bit 64Bit macOS
          May 20th, 2019
          Categories: AU, macOS, VST, x64, x86

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          Sausage Fattener v1.1.5 MAC

          P2P | 19.05.2019 | 8 MB

          Here is our first plugin – the Sausage Fattener! People always ask us how we get our greasy sound…here is the answer. Hook up this fat bastard to your favorite DAW (AU and VST on both PC/Mac) and get dirty. The plugin is already used by Tiësto, Kaskade, Diplo, Laidback Luke and others (see below for more). The Sausage Fattener only has two knobs. But don’t be fooled. With those seemingly simple parameters you can create loads of different sounds. Use the Sausage Fattener on a single channel with moderate settings as a musical compressor. Turn it up and you have a dirty bastard of distortion. But you can also use the plugin on a bus (for example all the drums and the bass) or the whole track as a mastering plugin The Sausage Fattener is used by Tiësto, Kaskade, Diplo, Laidback Luke, Chuckie, Sebastian Ingrosso, Dirty South, Hardwell, Angger Dimas, Frank E, Zedd, Lazy Rich, Dimitri Vegas and Like Mike, Marcus Schossow, John Dahlbäck and many other DJ/producers.



          Viewed 24217 By Music Producers.

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          • Cans2Cones v2.0.0 WiN OSX RETAiL-SYNTHiC4TE
            May 8th, 2019
            Categories: AU, macOS, UB, VST, VST3, WiNDOWS, x64

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            Cans2Cones v2.0.0 WiN OSX

            SYNTHiC4TE | May 07 2019 | 8 MB

            WiN: 64-bit VST2 & VST3 and MAC: “universal binary” VST2, VST3 & AU

            Cans2Cones version v2.0.0, a complete revision to the headphones-to-speaker emulator with an improved algorithm and added features. Cans2Cones is designed to help a listener make better mixes when monitoring through headphones Cans2Cones applies Interaural Time and Amplitude Difference (ITD and ITA) information to a stereo signal that emulates the distance and spacing of loudspeakers in a treated room. A special feature of Cans2Cones is a dynamic de-compression control which helps to overcome the compressed “in your head” sound that can occur due to the close proximity of headphone drivers to the eardrums.



            Viewed 9439 By Music Producers.


            • Supercharger GT v1.3.1 MAC
              March 8th, 2019
              Categories: AU, macOS, NI VST, VST, x64, x86

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              Supercharger GT v1.3.1 MAC

              iND | 08 March 2019 | 152 MB

              PLATFORM : MAC OSX AU VST 32Bit 64Bit

              Supercharger GT is a compressor inspired by the rich, tube-driven sound of a boutique hardware unit. A feature-rich follow-up to the Supercharger compressor released in December 2013, Supercharger GT goes beyond modern tube compression by adding dedicated Saturation and Character modes and additional controls for complete sonic fine-tuning. Supercharger GT was designed for simple yet comprehensive sound shaping. Producers can quickly dial in a wide range of compression effects using a single ‘Compress’ knob. The effect’s automatic make-up gain allows them to stay focused on the sound of the effect without having to compensate for the drop in volume compression can sometimes cause. Pre-set Attack and Release settings provide a starting point for setting Supercharger GT’s response to incoming signals – producers can start with Punch, Gentle, and Slam modes. Dedicated Attack and Release controls allow an additional degree of fine-tuning.



              Viewed 33215 By Music Producers.


              • Toned-MAX v2.0.0 AU 64Bit macOS-DDP
                February 17th, 2019
                Categories: AU, macOS, x64

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                Toned-MAX v2.0.0 AU 64Bit macOS

                DDP | 17 February 2019 | 5.9 MB

                Easy & Creative Tone: Toned-MAX is a versatile digital equalizer plugin with analog modeling. Although Toned-MAX can be used creatively on individual tracks, it shines at mastering and bus tracks. More than a basic EQ, Toned-MAX includes many different visual features for monitoring the signal, and controls for shaping the output.



                Viewed 9867 By Music Producers.


                • Cascade v1.1 AU VST VST3 32Bit 64Bit MAC-R2R
                  February 15th, 2019
                  Categories: AU, macOS, VST, VST3, x64, x86

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                  Cascade v1.1 MAC

                  TEAM R2R | 15.02.2019 | 18.21 MB

                  PLATFORM : MacOSX – AU/VST/VST3

                  Cascade is based on highly esoteric vintage components combined in a truly unique circuitry. It is anything but your typical audio processor. Cascade is an amazing toolbox which will open the world for creating the most interesting sound flavors. The beauty of this approach is that it did not have to follow any rules at all. Cascade uses very interesting NOS (New Old Stock) components which are everything but standard in audio applications, and the novel circuitry is a creative celebration of its own. All in all, this gives you the perfect basis for creating truly wonderful, new and unheard sounds. Now you can spice up virtual and natural instruments at ease, transmuting standard sounds with all kinds of gritty, organic and aged flavours. There are no right or wrong settings: Saturation, harmonics, distortion, colouration, filtering, interaction, anything goes, and experimenting is as much encouraged as it is rewarding.



                  Viewed 8189 By Music Producers.


                  • G8 Dynamic Gate v1.3.0 AU 64Bit MAC-DDP
                    February 12th, 2019
                    Categories: AU, macOS

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                    G8 Dynamic Gate v1.3.0 MAC

                    DDP | 12 February 2019 | 5.5 MB

                    AU, 64Bit

                    G8 takes dynamic sound shaping to the next level. Deceptively simple, G8 is a tool that reaches far beyond what any normal noise gate can do. While it does a great magesy torrent job at the usual tasks of rejecting noise and shaping transients, the MIDI in/out and alternate gating modes offered by G8 open a world of possibilities that let you forget you’re even using a ‘Gate’. Use G8 to create dynamic rhythm patterns on sustained sounds; trigger an envelope on G8 with MIDI input or use it to trigger notes on a MIDI instrument; produce interesting fractal sequences and auto-panning effects with Delay and Output Reject. With Cycle Mode and One-Shot, you can create dramatic motion with G8’s envelope, reducing the time value of the envelope to mere milliseconds, resulting in AM synthesis. The four-channel input in the Expert Mode of G8 allows for complex in-DAW routing of different levels and types of content. G8 can split the amplitude of a single source, allowing you to route two different characteristics of your sound to different tracks – the Mains and the Reject.



                    Viewed 10990 By Music Producers.

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