🎵 MaGeSY® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • Audio Damage Ratschack Reverb v2.1.0 AU VST WiN MAC-ASSiGN
    June 15th, 2016
    Categories: AU, Audio Damage, macOS, VST, WiNDOWS

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    Ratschack Reverb v2.1.0 WiN MAC

    Team ASSiGN | 10 January 2012 | WiN: 8.45 MB | MAC: 4.79 MB

    Ratshack Reverb is a detailed model of that classic of classics, the Realistic Electronic Reverb. Now, you can have the sound of everyone’s first analog delay unit, without ever having to change batteries! As anyone who has owned this unit (which is just about everyone…) knows, it was actually an analog delay, and we’ve done our best to exactly replicate the sound and quirks of the original. We’ve even modeled the distortion that occurs by running a line signal in to the mic inputs.



    Viewed 21486 By Music Producers.


    • Audio Damage 914 Fixed Filter Bank v1.1.0 VST AU UB WiN MAC-ASSiGN
      March 4th, 2016
      Categories: AU, Audio Damage, UB, VST

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      Audio Damage 914 Fixed Filter Bank v1.1.0

      ASSiGN | 7.3.2012 | WiN: 9.46 MB | OSX: 5.39 MB

      The Audio Damage 914 Fixed Filter Bank is a faithful recreation of the Moog Modular Synthesizer’s 914 module, and a major upgrade to our original 907A plugin. This plugin creates unique filter textures by passing the signal through twelve band-pass filters, as well as a low-pass and high-pass filter.



      Viewed 17415 By Music Producers.


      • Audio Damage Rough Rider Pro v1.2.0 WiN-R2R
        December 9th, 2015
        Categories: Audio Damage, VST, WiNDOWS

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        Audio Damage Rough Rider Pro v1.2.0 WiN

        TEAM R2R | 2015.12.08 | 437,46 KB

        What do you get when you add an isolator section to a stack of three Rough Rider compressors? Rough Rider Pro! While most multi-band compressors are designed to do gentle dynamics control (and to be fair, Rough Rider Pro can do that sort of thing if you want) we added the Nuclear Option to this compressor. 1000:1 ratio? Check! Series mode for ludicrous squishing? Check! Full isolator for extreme tone carving? Check!  In short, Rough Rider Pro is for those times when you want to know your signal is compressed. Other compressors are kittens, rainbows, and gumdrops. This one is a 40-foot-tall fire-breathing lizard.



        Viewed 8887 By Music Producers.


        • Tattoo v1.2.0 VSTi WiN v1.0.3 AU VST MAC OSX
          October 5th, 2015

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          Tattoo v1.2.0 VSTi WiN v1.0.3 AU VST MAC OSX

          P2P/ArCADE | 10/2015 | 03/2010 | WiN: 9.06 MB  | MAC: 1.86 MB

          Audio Damage’s first instrument, Tattoo, is a drum synthesizer where everything old is new again. Featuring 12 independent “voice-tuned” synthesizer topologies loosely based on the X0X series, and an incredibly sophisticated step/mod sequencer, Tattoo is at home in all forms of electronic music production.



          Viewed 18606 By Music Producers.


          • Phosphor v1.2.0 VSTi WiN AU VST v1.0.0 MAC OSX
            October 4th, 2015

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            Phosphor v1.2.0 VSTi WiN AU VST v1.0.0 MAC OSX

            Team P2P/UNiON | WiN: 8 MB | MAC:1.01 MB

            Phosphor is a VSTi/AU instrument modeled on the alphaSyntauri, a vintage digital additive synth. The original alphaSyntauri required an Apple //e to operate, but we’ve gone ahead and eliminated the middle-man, and now you can have this classic digital synth in your DAW of choice.



            Viewed 11087 By Music Producers.


            • Eos v1.1.1 VST RETAiL WiN-SYNTHiC4TE
              October 4th, 2015
              Categories: Audio Damage, VST, WiNDOWS

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              Eos v1.1.1 VST RETAiL WiN

              SYNTHiC4TE | Feb 02 2015 | 745.6 KB

              Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.



              Viewed 9845 By Music Producers.


              • Audio Damage Basic AU VST 32 and 64 Bit WiN MAC
                March 2nd, 2015
                Categories: AU, Audio Damage, macOS, VST, WiNDOWS

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                Audio Damage Basic AU VST 32 and 64 Bit WiN MAC

                P2P | 01.03.2015 | WiN: 1.28 MB | MAC: 1.88 MB

                So we did some market research, and discovered he was right. All the available options are either slavish recreations of classic synths, with all the foibles and strange UI decisions intact, or modern behemoths with every feature under the sun. We decided to tackle the challenge of an inexpensive, simple 3-osc mono-synth that followed the classic subtractive style, and Basic is the result. While it is designed with ease-of-use, low cost, and simplicity in mind, the panel sits in front of a powerful modern synthesizer engine with an aggressive tone and self-resonating filters that scream when pushed. We’re sure every electronic musician will find a place in the mix for Basic.



                Viewed 13963 By Music Producers.


                • Eos v1.1.2 AU VST RETAiL MAC OSX-SYNTHiC4TE
                  February 3rd, 2015
                  Categories: AU, Audio Damage, macOS, VST

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                  Eos v1.1.2 AU VST RETAiL MAC OSX

                  SYNTHiC4TE | Feb 02 2015 | 1.2 MB

                  Eos consists of three high-quality custom-designed reverb algorithms, made with the modern production environment in mind. Two different plate simulators and our own Superhall algorithm give you a broad palette of reverb, and the easy-to-understand interface makes adjusting the algorithms to suit your track incredibly simple. Want a traditional dark plate reverb? Eos can do that. How about a short, dense room sound for your drum buss? Not a problem. But where Eos really comes in to its own is when you drop Superhall on your piano or synthesizer tracks. The incredibly long modulated hall sounds of Eno-style ambience are where Eos thrives, something that is made of unobtanium with convolution ‘verbs. Quite simply, an impulse response can not do what Eos does.



                  Viewed 11881 By Music Producers.


                  • AudioDamage Mayhem VST PlugIn Suite v1.0 WiN-PARADOX
                    March 21st, 2014
                    Categories: Audio Damage, VST, WiNDOWS

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                    AudioDamage Mayhem VST PlugIn Suite v1.0 WiN

                    Team PARADOX | VST | 03/2004 | WiN | 3.5 MB

                    x86 (x64 works with jBridge)

                    The Mayhem VST plug-in suite is a collection of four different effects designed exclusively for the abuse of your audio.



                    Viewed 13044 By Music Producers.


                    • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
                      September 20th, 2013
                      Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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                      Audio Damage Replicant VST AU UB PC MAC

                      Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

                      Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from magesy download the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



                      Viewed 13839 By Music Producers.



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