In this class, I demonstrate to you the features and benefits of using Logic Pro X’s built-in Compressor plugin to mix in-the-box.
VCL-4 is a faithful emulation of the silver face revision of the op-amp-based successor of THE classic late 60s opto leveler. It provides you with unintrusive to extreme program dependent and musical opto compression. The switchable ratio option makes for a flexible solution over a wide range of source material. During the modeling process Fuse Audio Labs rebuilt the entire original circuit on strip board, however replacing the original opto-cells that were made up of an LED and an photoresistor with suitable Vactrols. Every part of the circuit including the receiver stage, the side-chain and Vactrol LED driver circuit, the Vactrol itself as well as the push-pull driver stage and the output transformer has been accurately modeled.
This course is designed to make the processing of mixing your track feel more like music and less like engineering. You’ll learn how EQ and compression work together to help you make the right musical choices for each track in your mix. You’ll learn what to listen for when using a compressor. These stems can be used in an DAW (ProTools, Cubase, Ableton, Logic, etc.). The lessons in this course are presented with Cubase, but the main focus is EQ and Compression which are universal topics that apply to any DAW. Follow along with this walkthrough-style course to learn how the technicalities of mixing with EQ and Compression. With these skills, you’ll be able to stay focused on your music without having to compromise on a half-baked final mix.
In this short demonstration, I discuss the parameters of a typical compressor, and how they affect and shape the sound. There’s a lot of information out there on compression, but my goal of this course is to provide you with clear and understandable explanations for understanding the workings of a compressor.
Another series designed for the electronic music producer, this time focused on the highly important technique of creating and using sidechain compression. Adam welcomes you and gives an overview of what sidechain compression is, and why and when you want to use it. He then covers all the basic controls such as Attack, Release, Threshold, and something Adam likes to call ‘hold down’. You’ll then learn fantastic tips and tricks for using and applying sidechain compression such as Ghost Kicks, Clicks, Lookahead Mode, Compression Modes, 3rd Party Compressors and more.
Within the ever-evolving genre we know as “EDM”, there are few producers with as deep flexibility, knowledge, and understanding of songwriting and electronic sound design as J.E. It requires a special talent to produce a pop album debuting at #1 on Billboard’s electronic chart and immediately follow it up with a multi-genre dance album conquering the Beatport charts at #1, but James has been the man behind the machine on multiple occasions of his own and other artists’ success.
Dynamics and Compressors and how they’re used in the Electronic Music genre to tame signals as well as create interesting effects and colors. Adam begins by welcoming you and then starts at the beginning, covering what compression and dynamic processors are, as well as why you would want to use them. Limiters are then looked at and explained, followed by the basic controls found on compressors and limiters such as ratio, attack time & make up gain, release time and more. Next, Multiplier covers why each compressor behaves differently, how to utilize input high pass filtering for better compression, saturating with analog compressors, and how to compress inconsistent audio. Lastly, you’ll learn things like how much compression you should really apply, how to use distortion as a compressor, understanding gates, and the basics of transient shapers.
Known for its ability to gel sounds together. We’re going to look at various features and functions of The Glue and how we can use it in a variety of different settings. From the controls featured to drum compression, vocal compression, synth processing and mix bus compression. You’ll also walk through features like the side chain filters and external side chain filters to get a sense of just how capable this compressor is.
Using a compressor and understanding compression is one of the hardest things for entry audio engineers to grasp. With so many different compressors and compressors types its not hard to see why people struggle with compression. Compression is critical to getting good mixes in music today, and without a proper knowledge of compressors and how to use them your mixes can easily turn thin and lifeless. Compressors can add color to tracks, crush drums, smooth out vocals, and add weight to a bass. Compressors can add to an track, or it can take away. For example, with a compressor you add punch to a kick drum, you can take the punch away. It all depends on how you use it. And there are many, many ways to use a compressor. Using compression properly will help improve your mixes by keeping dynamics controlled.
Ready to take your compression skills to the next level? In my All About Compression course I move on to more advanced information about compression. I will go over advanced compressor controls such as mix, knee, and side chain. If you’ve taken my basics of compression course then consider this course the next step to continue learning about compression. In All About Compression I will cover the different types of compressors, different kinds of compressors, uses for different type of compressors, classic compressors and how to use them, and much more. I also go over different compressor techniques and examples of use. This course will expand your capabilities with a compressor and introduce you to new ways of how to use them. I’ve been engineering for over 15 years now, and in that time I’ve gotten to use a lot of different compressors. And I’ve gotten to know some compressors very well. The more you use and learn about compressors the more the confident you will become in using them. And this course should help boost that confidence. Because all compressors are different it can be difficult to find the right compressor the job. I will go over my approach to choosing a compressor for a track. Anyone taking this course should have a DAW (Digital Audio Workstation) with a compressor plugin so they can go over and practice these techniques. The DAW being used in this course Presonus Studio One. However the DAW you use is not important, as all DAW’s will come with a compressor.
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