These were the top of the line vari-mu limiters and they are one of the best sounding and best built vintage tube limiters from magesy download the 50s and early 60s. Additionally, it modded with program-dependent Attack & Release features! Hot or not! You will be chilled to the bone!
“DYNASAUR” is the best helper to tame your annoying frequencies. Dynamically ride your EQ or shape your sound with pure static EQ. Use it as de-esser, multi-band compressor or peak rider!
Designed in 1974, the vintage N64 mono Limiter/Compressor unit quickly became a legend by achieving secret-weapon status among studio professionals, thanks to its unique sound and functionality. Discrete, Class A/B design and transformer-coupled circuits used in the input ensured a totally unique sound. This unit is still sought after, decades after production stopped, and they remain one of the milestone pieces of studio equipment.
MJUC is the most effortful plugin to date. It took almost two years of extensive, dare I say “excessive”, research and development. To create MJUC I’ve researched and analyzed each and every variable-mu* implementation I could get my hands on to get the best of tube compression into a single processor. In order to do the diversity of this compression topology justice, three different models have been built. These are kind of a time travel though the history of tube compression to capture the essence of each generation. Each model has its own dedicated signal path and dedicated control set. If desired you can tweak the overall tone and saturation of each model with the unique TIMBRE and the DRIVE control. DRIVE controls the load of the input and output transformers as the saturation of the tube gain stages, if applicable. The TIMBRE extends MJUC’s use as a tone shaping device.
While making a lot of different compression styles possible, it’s general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from magesy download snappy transient treatment to smooth transient rounding – everything is possible.
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A must-have addition to your effects arsenal, the new PC4K S-Type Channel Compressor adds vintage-era, console-style, channel compression to every ProChannel strip in SONAR.
CS-5501 is a multi functional channel strip providing all necessary tools to process all kind of audio signals like vocals and instruments. CS-5501 is the successor of the very popular CS-3301. It keeps the smooth sound of CS-3301 and provides much more flexibility in all tracking and mixing situations.
Comp LA is the revolutionary simulation of two legendary optical compressors into a single plug-in. The 2A version is tube-based and delivers a warmer, harmonically rich tone. The 3A version is solid-state based and has a faster attack, cleaner tone.
The result of decades of dedicated research, analysis, and modelling, these 15 superb effects will totally transform the way you record and mix your music. Combining history’s finest outboard effects, console components, and pedals with fresh, contemporary features and abilities, FX Collection is an essential tool for the modern producer. We have spent years searching the globe for the finest hardware effects and studio gear around. This is the fruit of our labor.
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