🎵 MaGeSY® R-EVOLUTiON™⭐ ⚡(FAST EDiTiON)⚡

  • Plugins: Complete v12 29.12.20 WiN MAC
    December 30th, 2020

    EMI / Abbey Road RS124 Compressor

    Complete v12 29.12.20 WiN MAC

    WiN (V.R Patch)/ MAC | 29 December 2020 | 🔰 WiN: 6 GB | 🔰 MAC: 5.3 GB

    WVS V12 plugins let you resize your plugins so you can view them more easily. V12 also introduces a new preset search engine that lets you find & audition the perfect presets for your tracks, plus more new features. Update now to V12 With the new resizing option in WVS V12, you can choose from magesy download 5 retina-ready GUI sizes – up to 200% – so you can stop squinting, and keep your attention on what matters. You can also customize your own default size per plugin, to make sure that your favorite plugins always open in the size you want. V12 also introduces a lightning-fast preset search engine, so you can find the prefect preset for your tracks more easily than ever. No need to browse manually through preset menus and sub menus – you can now search presets by text, filter them by name, and quickly audition your results.



    Viewed 229617 By Music Producers.


    • FD2N Russian Edition v1.1.1 WiN-R2R
      December 26th, 2020
      Categories: AAX, VST, VST3, WiNDOWS, x64

      FD2N Russian Edition v1.1.1 WiN

      Team R2R | Feb 28 2020 | 8 MB

      PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

      “FULLNESS TUBE EQUALIZER”



      Viewed 34438 By Music Producers.


      • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R
        December 23rd, 2020
        Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64, x86

        TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

        TE-100 v1.1.1 WiN

        Team R2R | August 23 2020 | 15 MB

        PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

        The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from magesy download source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



        Viewed 31398 By Music Producers.




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