MusicTech is the world’s leading magazine at the intersection of music and technology. Every issue comes packed with in-depth features on music recording and production, including interviews with visionaries, gear reviews, buyer’s guides, and easy-to-follow tutorials — all written by our team of industry experts and musicians.
Future Music delivers the technique and technology behind modern electronic and forward-thinking music. Packed with inspiration for today’s modern musician there’s reviews of hot new gear, tons of tutorials to help you get the most out of your hardware and software, and exclusive In The Studio features where a broad range of artists take apart their tracks on video for our cover-mounted DVD. Add in thousands of exclusive free-to-use samples and audio to accompany our lessons and reviews and you’ve the ultimate package, designed to keep any cutting-edge musician or producer at the top of their game.
We’re going in search of Daphne Oram in the new Electronic Sound. We’re taking a road trip from magesy download the hallowed turf of the BBC’s Maida Vale Studios to the leafy environs of rural Kent, where Oram lived and worked in a converted oast house for over four decades, then heading back to London to see her Mini-Oramics machine in action. Along the way, we delve into her archives to tell the story of the founder of the Radiophonic Workshop and try to fill in the gaps in what we know about the first lady of British electronic music.
Hi-Fi+ is Europes premier English-language high-end audio magazine. Whether its the latest in digital audio technology or the best turntable youve ever heard, Hi-Fi+ magazine is the ultimate audiophile authority.
It’s the essential companion for music producers or anyone passionate about listening to and creating music. Written by and for respected industry professionals, Future Music’s team of expert writers share their readers’ passion and are serious about the ideas and technology behind music production.
We’re marking 100 years since the invention of THE THEREMIN in this month’s Electronic Sound. We have a fantastic yellow vinyl EP featuring four tracks by some of the world’s leading thereminists too. Russian boffin Leon Theremin was meant to have been constructing a sonar system when he came up with his iconic electronic instrument. Goodness only knows how audiences reacted when they first heard its ghostly wail, which had no real precedent in music. What’s more, you didn’t even have to touch the instrument to play it. You seemingly just had to wave your hands about somewhere in the vicinity. We have interviewed a host of contemporary thereminists for our in-depth cover feature, including top players such as Herb Deutsch, Gaudi, Dorit Chrysler, Bruce Woolley, Carolina Eyck, Charlie Draper, Javier Díez Ena and more. We also have a piece about the incredible double life of Leon Theremin by his biographer Albert Glinsky. As well as being the inventor of a bizarre musical instrument, Theremin was a key figure in the Soviet Union’s espionage activities, his other creations including a device that snooped on the American Embassy in Moscow for several years.
Dave Clews offers even more clues on chords, Guide to playing keys starts here, Yelle reveal the tech secrets behind their distinctive sound and much more…
Computer Music magazine is the complete guide to making great magesy torrent music with your Mac and PC. Each month, you can find easy-to-follow guides for all sorts of music production techniques, high-quality video tutorials, unbiased reviews of the latest products plus answers to your technical questions. Computer Music brings you the best in tutorials, reviews, news and features, and no matter whether you’re a complete newcomer to computer-based music production or a seasoned pro, there’s plenty for you in every issue.
It’s been a long ride with the ever-pulsating brain at the centre of the Ultraworld we know as The Orb. Alex Paterson has steered his cosmic vehicle through several decades of sound, so much so that their ineffable mix of influences has become a genre unto itself. Well versed in the atmospheres and moods evoked by the ambient music created by Brian Eno, Patterson shaped that calming music into a framework of Jamaican dub, a downtempo mutation of acid house and whatever else was passing at the time. The result was ideal for the post-club experience, music that filled the room, but didn’t require any athletics from magesy download its energy depleted listeners. They could drift away as The Orb’s reassuring soundscapes swaddled them in cosy pillows and little fluffy clouds. They called it chill out.
MusicTech Magazine is the practical magazine about music recording and production, which is renowned for the way it helps readers improve their understanding and expertise in music technology.
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