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  • VisLM v2.8.3.3 AU AAX VST VST3 RTAS WiN MAC-R2R
    June 9th, 2020
    Categories: AAX, AU, macOS, NuGen Audio, RTAS, VST, WiNDOWS

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    VisLM v2.8.3.3 WiN MAC

    Team R2R | Sept 10 2019 | WiN: 5 MB | OSX: 80 MB

    PLATFORMS: WiN64 – VST/VST3/RTAS/AAX | MacOSX – AU/VST/VST3/RTAS/AAX

    The most fundamental question in audio production, how loud is it? Simple and yet elusive, with loudness inconsistency and incompatibilities present every day in broadcasts across the world. With detailed, objective loudness measurement, history and logging facilities, VisLM provides a simple, ITU, ATSC and EBU standard compliant* way to measure, compare and contrast loudness during production, broadcast and post production, on the fly or for entire sections of audio.



    Viewed 34627 By Music Producers.

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    • CS5501 v1.2.0 AAX AU VST VST3 RTAS x86 x64 WiN MAC-R2R
      June 5th, 2020
      Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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      CS5501 v1.2.0 WiN MAC

      Team R2R | 04 Oct 2019 | WiN: 15.8 MB | MAC: 16.05 MB

      PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

      CS-5501 is a multi functional channel strip providing all necessary tools to process all kind of audio signals like vocals and instruments. CS-5501 is the successor of the very popular CS-3301. It keeps the smooth sound of CS-3301 and provides much more flexibility in all tracking and mixing situations.



      Viewed 12626 By Music Producers.

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      • dpMeterXT v1.3.6 AAX AU VST VST3 RTAS STANDALONE x86 x64 WiN MAC-R2R
        June 5th, 2020

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        dpMeterXT v1.3.6 WiN MAC

        Team R2R | 04.10.2019 | WiN: 5.4 MB | MAC: 5.84 MB

        PLATFORM : WiN/MAC 32/64 – AU/STANDALONE/VST/VST3/RTAS/AAX(PATCHED)

        dpMeterXT is a loudness metering plugin and application fully compliant with the EBU R128, ITU-R BS.1770/1771, ATSC A/85 and several other regionspecific loudness standards. dPMeterXT supports multiple channel configurations, from magesy download 1.0 up to 9.1/10.0, depending on your system configuration or DAW capabilities. It features large readouts, meters, graphs, measurement history anddatalogging. With dpMeterXT, you can define the measurement parameters in a very detailed way (i.a. integration time, gating levels, filter).



        Viewed 17665 By Music Producers.

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        • dEQ6 v2.1.6 AAX AU RTAS VST3 VST x86 x64 WiN MAC-R2R
          June 5th, 2020
          Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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          dEQ6 v2.1.6 WiN MAC

          Team R2R | 04.10.2019 | WiN: 3.7 MB | MAC: 3.04 MB

          PLATFORM: WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX(MODiFiED)

          dEQ6, a 6 band stereo/MS dynamic equalizer with high quality oversampling and accurate spectrum analyzer.



          Viewed 22689 By Music Producers.


          • DynaRide v1.1.6 AAX AU RTAS VST VST3 x86 x64 WiN MAC-R2R
            June 5th, 2020
            Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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            DynaRide v1.1.6 WiN MAC

            Team R2R | 04.10.2019 | WiN: 4.7 MB | MAC: 3.93 MB

            (Win32/64; AAX*, RTAS, VST3, VST)

            DynaRide is an advanced gain rider plug-in with multiple detector programs and switchable pre-delay. On top of it DynaRide can enhance the output signal by limiting the riding process to specific audio signals like speech, vocal and bass.



            Viewed 18778 By Music Producers.

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            • Euphonia 2 v2.0.5 WiN MAC-R2R
              June 5th, 2020
              Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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              Euphonia 2 v2.0.5 WiN MAC

              Team R2R | 04.10.2019 | WiN: 3.9 MB | MAC: 3.20 MB

              PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX*

              Usually the final mix of a music production does not translate well with all audio devices (e.g. HiFi, car audio, smartphone) at the beginning. To achieve a well balanced audio spectrum in an effective manner is not easy to master! This is where Euphonia 2 starts: Euphonia 2 is an optimal audio spectrum balancing plugin which equalizes automatically any audio input based on a few standard average spectrum curves. These few standard curves have the advantage that they work very well with the majority of audio devices. Using Euphonia 2 right after the final mix of your music production could eliminate missing low/high end, mixing mistakes, general spectrum balancing problems or even compensate poor listening environment.



              Viewed 13374 By Music Producers.

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              • FinalLoud 2 v2.0.3 AAX AU VST VST3 RTAS x86 x64 WiN MAC-R2R
                June 5th, 2020
                Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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                FinalLoud v2.0.3 WiN MAC

                Team R2R | 04.10.2019 | WiN: 3.5 MB | MAC: 2.88 MB

                (WiN/MAC 32/64; AU, AAX*, RTAS, VST3, VST)

                FinalLoud 2 is a loudness and True Peak finalizer tool. It is the successor of FinalLoud. FinalLoud 2 solves quickly a very common challenge in audio engineering: reaching a certain target loudness level for any audio material while maintaining given True Peak ceiling. Therefore FinalLoud 2 combines a gain control, a high quality True Peak limiter and an accurate loudness meter under an easy-to-use interface. The gain control pushes the loudness level to the target level and in parallel the limiter ensures the True Peak ceiling.



                Viewed 16736 By Music Producers.

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                • GainRider2 v1.0.12 AU VST2 VST3 RTAS AAX WiN MAC-R2R
                  June 5th, 2020
                  Categories: AAX, AU, macOS, RTAS, VST, VST3, WiNDOWS, x64, x86

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                  GainRider2 v1.0.12 WiN MAC

                  Team R2R | 04.10.2019 | WiN: 5.9 MB | MAC: 3.4 MB

                  PLATFORM : WiN/MAC 32/64 – AU/VST/VST3/RTAS/AAX*

                  Gainrider 2 is a (vocal-) gain riding tool which gives fully control over the gain riding process. GainRider 2 is the successor of GainRider, our very popular gain riding popular. It offers more ride algorithms and reduces plugin delay.



                  Viewed 14536 By Music Producers.


                  • Blue Tubes Equalizers Pack v5.13 macOS-DDP
                    June 5th, 2020
                    Categories: AU, macOS, Nomad Factory, RTAS, VST, x64, x86

                    Blue Tubes Equalizers Pack v5.13 macOS-DDP

                    Blue Tubes Equalizers Pack v5.13 MAC

                    DDP | 05 June 2020 | 26.6 MB

                    AU, VST, RTAS, 6/18 Plug-Ins, 32+64 Bit

                    Vintage Style Equalizers

                    Designed by musicians for musicians, the Blue Equalizers Pack is a collection of 6 plug-ins processors designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic equalizer analog hardware. The sound quality of Blue Equalizers pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional vintage-style interface, as well as low CPU consumption for lightening-fast processing.



                    Viewed 24660 By Music Producers.


                    • gEQ12 v3.1.3 AAX RTAS VST3 VST WiN-R2R
                      June 3rd, 2020
                      Categories: AAX, RTAS, VST, VST3, WiNDOWS, x64, x86

                      gEQ12 AU VST VST3 MAC-RET

                      gEQ12 v3.1.3 WiN

                      Team R2R | June 03 2020 | 3.9 MB

                      PLATFORM: WiN32/64 – VST/VST3/RTAS/AAX(MODiFiED)

                      gEQ12 is 12 band stereo/MS graphic equalizer with accurate spectrum analyzer and minimum/linear phase modes. Today’s mixing and mastering processes require a full featured but easy to use equalizer which can accurately shape the tone of a track , bus or master track. eEQ12 provides all necessary tools in one package paired with some unique features. The display shows the spectrum curve of incoming and outgoing signal. gEQ12 has the unique feature that the outgoing spectrum is directly calculated from magesy download incoming spectrum (incoming spectrum – filter curve = outgoing spectrum). This allows you to capture the incoming signal, to freeze it and to modify then the filter curve based on the altered outgoing spectrum. The filter response is controlled by 12 individual filter bands. Each filter band has its own display handle, which can be adjusted by mouse.



                      Viewed 23797 By Music Producers.




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