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  • OhmForce Symptohm Melohman VSTi AU RTAS v1.21 MAC OSX UB-ArCADE
    May 22nd, 2014
    Categories: AU, macOS, OhmForce VSTi, RTAS, UB, VSTi

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    OhmForce Symptohm Melohman v1.21 MAC OSX

    TEAM ArCADE | 01/2009 | MAC | 164 MB

    At a time when every vaguely creative synth seems to have been designed with only the mathematically gifted in mind, Symptohm: Melohman is here to remind the world that great magesy torrent music comes not from magesy download cold calculation but from magesy download passion. Unlike other synths, bound to rigid curves and predetermined behaviour, Symptohm responds to your touch, enabling you to control every aspect of the sound you create in a most natural, intuitive and musical way. More sonic control than you ever thought possible is now, quite literally, at your fingertips. Symptohm: Melohman offers a palate like you have never encountered before, giving you the scope to create your own unique sound. From spectacular pads to heavy bass, unreal drumkits and strange ambient textures, your playing style will define your sound. This unique and powerful new form of synthesis features ultra flexible routing, FX support from magesy download the acclaimed Quad Frohmage filter bank, and an innovative matrix, which can be controlled via midi. Use the Melohman as an outrageously powerful modulation controller, or let it adapt itself to your playing style. Either way, you won’t be able to keep your hands off it.



    Viewed 12619 By Music Producers.


    • Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB
      May 3rd, 2014
      Categories: AU, macOS, Vember Audio, VSTi

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      Vember Audio SURGE 1.5.3 VSTi AU MAC OSX UB

      Team DYNAMiCS | 10.05.2009 | 20.85 MB

      Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us. A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Until you listen to it. Then it becomes real.



      Viewed 23240 By Music Producers.

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      • PlastiCZ AU UB VSTi 1.1.0 WiN MAC-ASSiGN
        April 5th, 2014
        Categories: AU, macOS, rFX, UB, VSTi, WiNDOWS

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        PlastiCZ AU UB VSTi 1.1.0 WiN MAC

        TEAM ASSiGN | 25 DECEMBER 2010 | PC: 6.62 MB | MAC: 1.48 MB

        PlastiCZ sounds different. With two phase-morph oscillators and AM you can coax completely new sounds from magesy download PlastiCZ. PlastiCZ has a simple and clearly arranged user interface, the individual modules are differently coloured from magesy download each other and all parameters are always accessible. Ten insert-effects give that certain extra to the sounds and offers further possibilities for extravagant sounds.



        Viewed 12883 By Music Producers.


        • PSP Neon HR v2.0.4 AU VST RTAS MAC OSX-Cook
          March 24th, 2014
          Categories: AU, macOS, PSP AudioWare, RTAS, UB, VST

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          PSP Neon HR v2.0.4 AU VST RTAS MAC OSX

          Team Cook | March, 24 – 2014 |  7.67 MB

          PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!



          Viewed 13253 By Music Producers.

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          • Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC
            March 11th, 2014

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            Spring Reverb Type4 v1.0.1 AU VST UB WiN MAC

            VST AU PC & MAC OSX UB REPACK-DYNAMiCS

            Team DYNAMiCS & AiR & NEMESiS | 01-26-2009 | 6 MB

            A spring reverb is a system to obtain artificial reverberation invented during the 40’s by Laurens Hammond (also inventor of the Hammond Organ). In a Spring Reverb pan, the audio signal is coupled to one end of the spring by a transducer (a device that can convert electrical energy into mechanical energy or viceversa). This creates waves that propagate through the spring in both directions. At the other end of the spring there is another transducer that converts the motion in the spring into an electrical signal, which is then amplified and added to the dry sound. Most spring reverb units use several springs together, with each spring having its own characteristics (length, dimensions, tension, etc.) resulting in a natural reverberation by summing several delayed sounds at fixed or random intervals. However, with real spring reverbs the user isn’t allowed to change these characteristics. A software simulation like Type4, on the other hand, allows you to adjust parameters like “decay” (reverb duration), the dampening factor, the virtual spring tension and other parameters that affect the overall timbre of the reverb effect. Why should you want to use a spring reverb rather than a precise and modern digital reverb? Spring reverbs have typical sonic characteristics that, nowadays, make them desirable mostly as effects on their own rather than simulations of an acoustic phenomena.



            Viewed 12190 By Music Producers.

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            • SoundQuest MidiQuest XL v10.0.5 MAC OSX UB-ArCADE
              February 12th, 2014
              Categories: macOS, UB

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              SoundQuest MidiQuest XL v10.0.5 MAC OSX UB

              TEAM ArCADE | 30.10.2010 | 62.55 MB

              Software synths and effects have some great magesy torrent advantages. They work right inside your sequencer; you can easily store and access all of your sounds on the computer; and if you want, you can automate changes to your sounds while your sequence plays. All you have to do is twist the knobs of your soft-synth to record the changes. With Midi Quest 10 XL, all of those great magesy torrent features that you have for your soft-synths are now available for your hardware synths and effects. Imagine being able to integrate all of your MIDI hardware into your digital audio sequencer and using it the same way you use your soft-synths. With Midi Quest XL, you can.



              Viewed 15910 By Music Producers.

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              • Audiofile Engineering Loop Editor v1.5.0 MAC OSX UB
                October 24th, 2013
                Categories: Audio Software, macOS

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                Audiofile Engineering Loop Editor v1.5.0 MAC OSX UB

                Team DYNAMiCS | Date: 27/02/10 | 8.66 MB

                Loop editor is a simple audio loop editor. Designed in Cocoa from magesy download the ground up, Loop Editor proudly takes advantage of Quartz, CoreAudio, and other solid OS X interface features. Loop Editor supports all audio file formats that support loop markers, including every type of looping available for any given format. Loop Editor is one of the only applications available that manages multiple loop makers (within files that support multiple loops).



                Viewed 6293 By Music Producers.


                • Audio Damage Replicant VST AU UB v1.02 PC v1.04 MAC
                  September 20th, 2013
                  Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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                  Audio Damage Replicant VST AU UB PC MAC

                  Team AiR-DYNAMiCS | 2007 | PC: 1.30 | MAC: 3.11 MB

                  Replicant is a delay-based effect in the “beat slicer/looper” vein, with some tricks of its own that separate it from magesy download the herd. From a simple delay or panning effect, on up to massive random beat mangling, Replicant is a capable plugin well in line with today’s modern electronic music styles. Stuttering buffers and filter drops are easy to program, and the comprehensive randomization features give it a mind of its own, if so desired. If you’re looking to add some chance to your programming, you’ve come to the right place.



                  Viewed 13844 By Music Producers.


                  • Audio Damage Liquid VST AU UB 1.0.1 MAC HAPPY NEW YEAR
                    September 20th, 2013
                    Categories: AU, Audio Damage, macOS, UB, VST

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                    Audio Damage Liquid VST AU UB 1.0.1 MAC

                    Team PDS | 2010 | MAC OSX | AU UB  | 4.67 MB

                    Liquid is an analog-style through-zero flanger. Unlike traditional flangers, which are just short delays with a bit of feedback, Liquid models the original flanging method, where two tape machines were used to create artificial double-tracking effects. The difference in sound between this type of flanger and what is commonly available is significant, and Liquid provides a much more usable effect. Perfect for “stereo-izing” monophonic signals like voice and vintage analog synths, Liquid also provides more mind-bending flanging at higher feedback settings.



                    Viewed 14021 By Music Producers.


                    • Audio Damage Dr.Device VST AU UB v1.0 WiN v1.0.1 MAC OSX
                      September 18th, 2013
                      Categories: AU, Audio Damage, macOS, UB, VST, WiNDOWS

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                      Dr.Device VST AU UB v1.0 WiN v1.0.1 MAC OSX

                      Teams AiR-DYNAMiCS | 2007 PC: 1.54 MB | 2008 MAC: 2.33 MB

                      Dr. Device is two (two! two!) hi-octane analog-style effects in one. First in the chain is a multi-mode filter, featuring our own private reserve 4-pole lowpass, along with 5 other tasty musical modes. Then, your audio takes a trip through our true-stereo analog delay. Couple these effects with a two-node XYZ pad, motion recording, and kinetics (you have to see it to believe it) and you’ve got an effect well-suited for both live performance and studio tweaking.



                      Viewed 15045 By Music Producers.




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