Wusik ZR uses a single-cycle wave playback engine with Hyper Oversampling Code using SSE2/AVX. It comes with 128 presets…
This multi-filter / multi-effect is designed with step sequencing in mind similar to old drum machines everybody use to use before the days of virtual instruments. Stagger frees your mind to ascertain whatever kind of direction your mind can imagine for controlling modulation which in turn allows for your creative process to truly run free.
Meet NIMBUS, a new and improved reverb unit based on the familiar PhoenixVerb but offering better sound, greater flexibility and new capabilities: Better sounding: NIMBUS is based on the core of the hugely popular PhoenixVerb, but we’ve combined honest user feedback with a fertile creative imagination to make it sound even better. No CPU hog: NIMBUS is a native plug-in, requiring no special hardware and offering even more flexibility while continuing to work with its now-famous minimal load on your computer. Easy to use: We know that workflow matters to our users. While NIMBUS is brand new, existing users will find it reassuringly familiar, and new users will find their way around in a matter of minutes. Over 1200 presets and handy new tool-tips: NIMBUS has everything under control to get you started.
For the mastering engineer, a multi-band compressor is a powerful tool. But as Spiderman’s uncle Ben famously says: with great magesy torrent power comes great magesy torrent responsibility. A multi-band compressor that is not used diligently may create more problems than it solves. This is why we created Drawmer S73 Intelligent Master Processor (IMP).
There’s a reason the eq that inspired this plugin has endured 45 years of musical fashion & trends: it does all the right things to sound. But even a stunning classic isn’t safe from magesy download my meddling tastes! For starters, this eq’s curves are a bit tighter than the original. Next, I added a Saturation knob to overdrive a customized op-amp. That knob generates a very creamy, lush distortion, I’ll often use the Sat on its own, no EQ’ing. It’s fat, and very much a signature Sly-Fi sound!
There’s only one Kaya… literally. S. Husky Hoskulds made it by taking an old Ampex tube tape deck and hardwiring the preamp directly to the tape head. He calls his unit ‘Pa’, a minimal box with swampy distortion and a very heavy bottom. I started with Pa’s dirt, then added controls to make it more flexible. An assymetric Treble control can rebalance the sound towards the top, or tilt it down into murky darkness. An Abuse knob does exactly what you’d expect it to do. Blend allows you to tuck in the overall effect for subtler applications. What I love about Kaya is it never harshes out, it’s always warm even when it’s gone nuclear. A one-trick pony, but what a trick it is.
The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from magesy download the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters. The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.
Virtual Buss Compressors comprises three unique sounding, 100% analog-modeled dynamic processors that are designed for program material including full mixes, mastering, drums, group mixes, and more. Every nuance of real analog compressors has been modeled; including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.
If I’ve got tracks that need more vibe, more color, and less of the fast, sharp transients digital is famous for, Omega Transformer plugins are my weapon of choice. Transformer plugins are extremely cool on their own, giving my VI’s, loops, and found sounds the character of carefully chosen, boutique analog circuits. When a Transformer is used on tracks recorded with the Omega Preamp, the effect is quite stunning: a dead-on replication of the original hardware’s sonic signature. This is not “sounds kinda like…” this is “sounds exactly like”. Transformer plugins are very simple to use — just turn the Intensity knob and a lovely, distinct flavor unfolds. The resulting Transformed tracks mix easier, sound sweeter, give EQ’s more mojo to extract, and feed compressors a rounder, punchier transient to play with. The result is, to my ears, a truly magical Transformation.
The R2 reverb plug-in is a reverb with attitude. In many ways, it harkens back to classic reverbs of the 80’s and 90’s. The reverb tail is fat and full of movement. The chorus controls can even add subtle (or unsubtle) pitch effects. Whether it’s a choir or a power ballad, R2 adds a rich character to the mix. But it doesn’t end there. Like its little brother PhoenixVerb, R2 can also create rooms and plates of its own. The gate control has found special applications as an auto-ducker for dialog mixers or even for traditional mixes keeping the reverb under control. R2 is a traditional reverb with a modern attitude. R2 has also been designed with ease of use as a primary concern. The most important parameters are always available, and a richer set of controls are available only a click away. Presets are organized with application-specific keywords, and the user can easily create new presets and keywords to tailor R2 to the needs of any particular facility.
Magesy® Winter Hoodie We arrived this winter with our Winter Original Griffin® Hoodie for DJs and Producers.
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