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  • Metric AB v1.2.0 WiN-R2R
    December 23rd, 2020
    Categories: AAX, VST, VST3, WiNDOWS, x64

    Metric AB v1.2.0 WiN-R2R

    Metric AB v1.2.0 WiN

    Team R2R | August 23 2020 | 19 MB

     PLATFORM: WiN64 – VST/VST3/AAX(MODiFiED)

    The Metric AB plugin enables you to compare your mix to any reference mix with a simple click of the A/B button. It is designed to provide you with a clear, intuitive workflow and unique analysis tools. Welcome to the new standard in mix referencing. Just put it on your master channel and switch between your actual mix and CD or iTunes mixes by your favorite engineers and bands, other versions of your mix, etc. Drag and drop up to 16 reference tracks into Metric AB and take advantage of features such as instant volume matching, cue and loop functions and various monitoring modes. Playback of your reference mixes can be synced with your DAW to create the perfect workflow. Get technical with more advanced features including multiple analysis modes (spectrum, correlation, stereo image) and industry compliant LUFS loudness and dynamics metering. With Metric AB on your master buss you get all the data you need about your mix and reference audio simultaneously.



    Viewed 36212 By Music Producers.

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    • TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R
      December 23rd, 2020
      Categories: AAX, Lindell Audio, VST, VST3, WiNDOWS, x64, x86

      TE-100 v1.1.1 AAX VST VST3 x86 x64 WiN-R2R

      TE-100 v1.1.1 WiN

      Team R2R | August 23 2020 | 15 MB

      PLATFORM: WiN32/64 – VST/VST3/AAX(MODiFiED)

      The original KLEIN & HUMMEL UE-100® EQs are extremely rare and expensive. But Rafa Sardina – who has 12 Grammy wins and 35 nominations – owns 10 of them! What is so special about this weird and wonderful device? For some time, hardware equalizers had to each be developed with a specific purpose in mind, requiring engineers to combine different EQ types in one signal chain in order to achieve the frequency response they needed on any given source. They would have to accept the necessary evil of the resulting phase and intermodulation distortion when treating these sounds. When released in 1961, the Klein & Hummel UE-100 Universal Equalizer changed all that. This all-tube minimum phase EQ used six discrete filter modules to create a collection of band-pass filters that could create dynamic curves for any application from magesy download source mixing to vocal tracking to mastering. While some earlier UE-100s were used to transparently filter out junk low and high frequencies when printing to tape and vinyl, it quickly became commonplace to take advantage of the unique pushbutton frequency selection; this provided an easy way to not only recall settings, but also alter them on the fly while recording a performance. The UE-100 became known for its musically warm curves and precise response, offering a myriad of possibilities for treating frequencies by boosting and/or cutting across the spectrum to shape sounds “like a Pultec on steroids.”



      Viewed 31439 By Music Producers.




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